A3Practice of copying the 1150CE Hoysaleswara temple, Halebidu Karnataka, Dancing Saraswati I have an idea of copying the masterpiece in temple for my Shilpashastra practice. But I have definitely bite wayssss more than I can chew for the first attempt! 🤣🤣🤣 I almost give up, because it is too challenging….
Category: Shilpa shastra
Shilpa shastra
Devi Lalita Tripura Sundari
A3, Pen This is my humble attempt to draw Devi Lalita Tripura Sundari. This is the final composition for @maha_art_95 6-month Shilpashastra beginner course. Teacher has taught us the basic anatomy and iconography of the deity. Students are encouraged to decorate the deity and compose the drawing according to our…
Pencil
Kirtimukha
A4, pencil Om Namah Shivaya 🙏🏻 Homework for @maha_art_95 Shilpa Shastra class this week.I always wonder why this lion head without a body is everywhere in Indian art and temple. I have learned his story in @maha_art_95 class last week. I am fascinated by his devotion towards Shiva. And I…
Pencil
Shiva and Nandi
Om Namah Shivaya A4, Pencil I humbly tried everything I have learned so far together in this drawing. (actually not much!) Update: Some mistakes are there. 🙈🙈🙈(long long way to go😂)But I am happy to give it a try!💪🏻 Shiva and Nandi © 2023 by Tiney Wong is licensed under…
Pencil
Dakshinamurthy
Dakshinamurthy 10 days Shilpashastra workshop by MahalakshmiA2, graphite pencilDakshinamurthy is a form of Shiva. He is the Adiguru (the first teacher or the Supreme Master). He is the personification of the supreme or the ultimate awareness, understanding, and knowledge. I am learning Shilpashatra from Mahalakshmi for 3 months now. I…
Shilpa shastra
Lord Rama
Lord Rama (A2) Tribhanga (a Shilpa Shastra online workshop) by @drdha_art , @kathith.kala and @deeptidesigns
Shilpa shastra
Shri
(A3) I attended a drawing workshop taught by @drdha_art , organised by @deeptidesigns .In the workshop, I got some measurements wrong in the beginning, so I tried again from the top.Not including research time, I spent 11 hours on the drawing.